Why Do Drama or Acting


Drama and Acting Differences!

Actors who learn that Drama is different than Acting have an advantage. Often actors will feel pressured to perform or act out an emotion rather than just live with it going on inside them! This is key. Stay relaxed. Let the Drama happen as you interact. Let the other affect when your actions take place during acting interaction.

Copyright 2022 – 2023 Simon Blake

Why Do Drama or Acting

The elements of Drama are the emotions which activate movement within a storyline. Acting out a theatrical part with your Director will enhance the emotions experienced while doing the part. Drama in acting gifts an emotional undercurrent to your production.

Drama is Emotion, Acting is Performance

Acting without emotion omits the Drama of activated emotion. Emotion must be activated internally and put into vocal or interactive conveyance. A Performer who plans every action to try to trick the audience will be thought of as an amateur.

The art of acting is the skill and craft of drama.

What is a Drama School?

Acting classes and drama school offer a place and time to learn about emotions. At first learning about others emotions and experiences within the plays will occur. Later finding ones own emotions will add meaning and gesture to your acting work.

Dramatic art is emotionally driven.

Shakespeare without the emotion would be a boring thing to watch. The Drama that audiences enjoy is the real-time experiences of the actor’s reality.

Should I Become an Actor?

Do you want to feel empathy and participate with improvised values? Do you want to feel the impressions of being in an Imaginary Circumstance? Do you have the motivation to monologue a feeling, instinct or emotion?

Asking yourself why you want to be an actor will either reveal a motivation towards expression or let you know you may have other interests.

Why Do Drama in Acting

An Actors Plight Towards Self Discovery

Actors who are distinguished have a convention towards self discovery.

By experience of doing the interaction of acting Actors experience human growth. Reading scripts to establish the emotional range of the Actors assignment, Actors can amplify their internal values.

It is no secret that experiences help people grow. Actors grow with the clarity that the audience may identify within the performing arts. Having the plight of self discovery in acting will help the Actor choose roles that they both will fit better with as well as succeed at doing.

How to Audition with Your Humanity

Auditing needs to be thought of as nothing more than another opportunity to do acting. Auditioning with your humanity is tricky. Emotional Preparation techniques to activate your emotions just prior to acting will help you put your humanity into your work.

You can transcend in your acting auditions and feel like you are floating within the experience of the script when you add your human reality. Actors and playwrights have a relationship by means of interaction through the words in the script.

Why Playwrights Matter to Drama

Drama-based materials in theatrical production efforts will achieve an emotional experience within the Imaginary acting world. Playwrights matter to Drama as they arch the emotional elements of the story within the story structure.

You may find that another character (actor) effects you in one particular way within a scene. Trusting that the Playwright has already arched the storyline will help you relax and simply be in the moment within the acting scene.

Graduate Improvisations in Acting Rehearsals

You can advance your involvement and interaction in scenes by doing rehearsals. Improvisations help the acting dramatist to stimulate the emotions and feelings of the scene work without doing the exact materials. By rehearsing in spontaneous ways and inflection will be found within the Actor that will help the final scene work.

Another fantastic way to Graduate Improvisations is to set up Improvisations that are similar but not the same situations. You may have a break up in your final scene. By rehearsing an Improvisation of a similar situation you can warm up the emotions to practice having access to them without overdoing the final scene work. This is a critical approach for aspiring professional actors.

Acting Schools & Theater Degrees

If the only situation that you can get yourself into to fully emerge yourself into learning drama is a Theater Degree, then highly consider it.

For many Actors acting schools that have 2 – 5 day schedules are the only thing they are able to fit into their schedules. The key about acting schools and theater degrees is tricky. You don’t need a theater degree to do acting parts.

Having a theater degree may help your ability to study full time rather than part time to understand Drama and Acting. If you choose to get a Degree find out what you will be learning first and be sure that you will be wanting to learn that curriculum.


Playwriting is a skill of layering conflict and drama on top of each other. If you are skilled at Playwriting you are able to layer the emotional drama at times throughout a storyline that is audiences will readily understand.

Playwriters study everyday life and often create a character off of real life study. It is common for a writer to rename a script identity after modeling it after a real person.

Theatre Needs Both Drama and Acting

Acting is the overt expression of impulses, feelings and emotions. When an Actor has an instinct that is backed by emotion they develop a willingness to express it. Acting is dead without expression.

The Theatre needs both Drama and acting because it needs both emotion and expression.

The Faculty of Production is Emotion

A Production that is driven by emotion will have an emotional range. An Emotional range to a production is a market share. If you have an audience you need to learn what their emotional ranges are to find a play or production to do that would fit that marketplace.

Matching the marketplace to the Emotional Range will really contribute to the success of the production or the failure of resonation with the audience.

Actors study how to Emotionally Prepare an emotional range, which directly effects Managers and agents abilities to market the Actor.

How Drama and Emotions Link Together

Interaction is the link between Drama and Emotions. Linking Drama’s emotional undercurrent to the interaction of the scene enables the work of the production.

As an Actor you need to find why do Drama or Acting matter to you. If you only have the expression of acting then you have not added the Drama of Emotion to your work.

Building Your Network in the Theater Industry

Intonation is a factor in building networks in the Theater Industry. Your reputation will depend upon your genuine interests and interesting comments you make.

Building a Network requires you to combine your interests with the venue of receiving others input. Having a strong opinion alone will not build a network. Being able to respond after considering others opinions will build networks. Know Why do Drama in Acting so you can improve your own interaction in acting.

How to Become an Actor with Emotional Preparation

Emotions in acting are critical and take a lot of work and growth to achieve. Emotional Preparation is the bookwork of preparation to know the emotion of the scene. Emotional Activation is the last part of Emotional Preparation which will gush from your internals once activated.

The skills of Emotional Preparation are the self activation techniques to spark your own emotion. After you have a living real-time emotion gushing from your internals you still need to receive the other actor to put those emotions into interaction.

Interaction is the key part of implementing Emotional Preparation.

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Copyright 2022 Simon Blake, All Rights Reserved.

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