Actor Emotional Preparation for Acting

Emotional Elements of Acting and Auditioning are Keys that unlock talent. Adding Emotion to acting in a way that it becomes activated during acting interaction is the key goal. Find the Emotion using Emotional Preparation!

Talent is being able to work with emotion in acting!

Some Main Quotes from this Acting Article:
“An Emotional Element is an internal dilemma.“
“Your goal in auditions can be to reveal your true Nature.“
“Acting is both Activation and Interaction!“

Copyright 2020, 2022 Simon Blake
BEING Before DOING is key in acting!
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Emotional Elements in acting baseline whether or not you have the talent to find the emotional range needed for the audition material. The same is true when you do act, find the desired emotional range.

Acting and Auditioning

Let us look together at the Emotional Elements of Acting and Auditioning.

When you audition you need to work at the same capacity that you do in your acting.

Showing people what you are able to work interact with is key. Acting is both Activation and Interaction!

First understand that the reasons to include Emotional Elements or Emotional Preparation is so that your true self gets revealed in the audition.

Your goal in auditions can be to reveal your true Nature. This way if cast in the part you won’t get as board as the filming occurs.

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What is an Emotional Element?

An Emotional Element is an internal dilemma. You can also think of the word Delicious. The internal suspense of not knowing what will next occur could also define what an Emotional Element is.

Emotional Elements isolate emotional ranges that are desired by the script writer, director or casting director.

The talent to be able to find diverse emotions is key in acting.

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How Emotional reveals real Personalities?

The reality that emotion does when resonating inside a person is an amplification of their believed truth.

The goal in acting is to match your believed truth about yourself and who you are to the initial aspect of the script beginning. Then as honestly as possible interact keeping that emotional connection.

Honestly interacting keeping emotional connections are far different than reacting or performing. Reacting is better but actually processing the stimulus of the other person and the scene is more ideal.

Instruction:

1. To the best of your current judgement look at the script and decide with the audition material what is the best point of view that you also feel strongly about. Then use Emotional Preparation Techniques, which there are many to choose from to charge yourself as honestly as possible with that Emotional charge.

2. Set your intention to the initial moment of entry into the script.

3. Attempt to look at any key changes emotionally in the scripted auditional material. IF it is tricky material there may be large emotional swings in the mood and expressions that the words describe. (If there are large swings you can also choose to Emotionally Prepare yourself for those other transitions)

4. Be Relaxed in your emotional condition.

If you are not relaxed enough your emotion will not interact even with a person reading lines or a full rendition of audition materials. Emotional Elements in Acting include needing relaxation techniques.

Notice the other person, receive how they are interacting with you and if they are just reading then still follow the intent of the author keeping an emotional openness that shows your personality and interests.

How to Prepare for Transitions in Scripts

This is another key. It is very true that you can Emotionally Prepare for more than just the first moment of the script. Those that say you can’t maybe don’t quite understand how to do it. Emotional Elements in Acting are important to transition in scripts.

1.How to Prepare for Transitions is to pin point the key emotional changes.

Then Emotionally prepare for each section by using Emotional Preparation Techniques. Whichever Emotional Element in yourself that Emotional Preparation Techniques can insight is a match.

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If the Emotional self stimulation of your effort matches an honest emotional response that you have to put into the material and you are able to relax to some degree even though your emotionally charged this is ideal. If you are tense you will become neurotic and your expressions will not be interactive.

2. Do the work to have understanding of what part of yourself matches the scripts and writers intention.

This is finding parts of what emotionalizes you. It may be as simple as a topic of that you feel strongly about. However just because you feel strongly about it if you are not relaxed enough to be open with your opinion it will not flow into your work.

Find matching intensity of emotionalizing that you are able to still intake another’s opinion even though you have your own opinion.

3. Initially do Emotional Preparation only for section Casting Director is asking for

If the Casting Director asks you to do a part of the material than whichever part, they are asking for then do the Emotional Element internal work at that time then commence work. It may take only 10 seconds to find that match inside yourself once you know how to utilize Emotional Preparation.

You will have a learning curve and sometimes to reach certain intensities you will need an hour or even days to understand some emotional elements.

KEY: Do not try to use all of your Emotional Elements in Acting and Auditioning at once. Use only the part that is being asked for. TRUST THAT YOU WILL HAVE THE OTHERS ACTIVATE BY THEMSELVES AS THE SCRIPT IS READ.

Emotional Elements in Acting

Using Emotional Preparation an Actor can find Emotional Elements in Acting.

The incredible journey of the Actor takes the ability to Activate their emotion in the ‘Being Side of Acting’. The Being side of acting is the self-stimulation side of internal work.

The ability to find deep feelings that can become Emotional inside you is absolutely important for the Actor.

Emotional Preparation Techniques are able to work to assess the specific emotional range needed for the acting scene. Then leaping the Activated emotion into acting interaction is key.

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Learning to Trust your Own Work

It takes time to developing trusting your own acting technique.

Acting techniques take time to develop and to adjust for each individual. Emotional Elements in Acting can really help the Actor expand their talent and range.

It is key to understand that any process new or old requires time to be able to trust its function.

Copyright 2020, 2022 Simon Blake

About Simon Blake

Simon Blake has studied between 30,000 – 40,000 acting exercises and studied over 8-10++ thousand acting students work in acting. Studying their Emotional Preparation to their Spoon River Work. Studying every area of Meisner training work with well over 30 Teachers including himself.

“Learning Emotional Preparation for Musicians, Artists, Creator and Actors is incredible.  Applying Activated Emotion prior to doing is key!”

Simon Blake runs and operates the website EmotionalPreparation.com which teaches Actors how to add Emotion to their acting.   Using improved acting techniques for Actors and Music.

Don’t Miss the Acting Lists !
Over 900 Meisner Independent Activities
900 + Emotions for Acting List
Acting Exercises List

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ACTORS Need Different Fonts! , and Colored Lenses for Extending Reading
Reading is Key in acting.
Learning Lines, especially when Dyslexic is a tremendous ask.
Check out, and Check out a Font Today in the Acting Store!
Improve Dyslexia.com has TONS of Dyslexia Examples.
____________________________________
Emotional Elements in Acting.

Copyright 2020, 2022, Simon Blake

Interactive Acting Activities PDF:

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Simon Blake

Simon Blake has studied well over 30,000 acting exercises in over a 20 year period. Studying Acting with a huge diverse range of Actors, from famous to unknown Talents.

Reading under 'Emotional Influences' is more difficult and has led to developing Fonts for Easier Reading.Achieving easier reading fonts also achieved Dyslexia Education Materials for Creatives.

Actors who practice Phoneme Pronunciations have better Diction.

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